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In the beginning, a bespectacled Chicagoan named John Hughes looked upon the landscape of teen movies and decided that they were lacking in characters that resembled actual adolescents. And the Lord did then give us Sixteen Candles and The Breakfast Club and Pretty in Pink, and lo, it was good. The Edge of Seventeen announces its claim-staking bid from its opening scene, in which a furrowed-brow, funky-dressed high school student named Nadine (Hailee Steinfeld) plops down in front of her English teacher (Woody Harrelson). He counters that he's just finished penning his own fare-thee-well note; also he's on his break, so please GTFO. You can see the needle on the Hughesometer tipping into the red. You can find fault with these films (three words: Long Duk Dong), but Hughes singularly set the gold standard for the genre. We quickly learn that this perpetually misunderstood misfit has a smart-ass answer and an eyeroll for everything, some long-shot romantic longings and an older friend (Everybody Wants Some's Blake Jenner) who's both a favorite child and a campus Jock-God. And then, as viewers get to experience Nadine, meet her best – and only – friend Krista (Haley Lu Richardson), and watch as one drunken night ends with our heroine accidentally catching her chum and her closest confidante en handjob delecto, you beginning to sense something shifting.